Painting and sculpture "Portrait Head Up Hardware" DP Pupuk works on display at The Art Space in Jakarta,
trishstratus khoiri
Painter Daru Purnomo Fertilizer (44) menyodorkan the other side of pergulatannya in the art. Berkutat no longer with the paintings of the city or the old building, now he presents his portrait series. What is interesting from his works?
Works of self-portrait Pupuk DP shown in exhibits single "The Theater of the Face" at The Art Space, Jakarta, 20-26 September. Performance with the curator Mikke Susanto memajang the 12 paintings and five sculptures. According to the plan, all this work will be on display for diboyong again in the Museum National University of Singapore, May 2009.
The impression that when the caught the first time witnessed the self-portrait series is? Morose. Yes, although displaying various facial expressions in different moments, almost all the paintings that imply murky atmosphere, dark, melankolis, or the emotional depression.
View only painting "Self Portrait in the Pressure Down." Faces that appear on the face is a canvas blind, dominated the dull brown color. Nose, mouth, and eyes like memiuh unclear. Ekspresinya cold.
"Hard Head Self Portrait" is a closed private show. There appear seraut-face black helmet legam the dibebat war that hard. Figures such as the middle of fighting their own emotions while tranquillize did not want to take care with the surroundings.
Similarly, the paper "Self Portrait misguided fear." Lineament in the paintings have this expression of confusion, doubt, confusion. Black and purple with a disapukan thicken the rough in the sense of worry that mimic.
Character similar feel in many other paintings, such as "Self Portrait undecided," "The General", "Self Portrait bagai Actor", and "be saved by Bell." With different dosage and form, the papers also explain this depression.
What is prominent in a series of melancholy self-portrait Fertilizer? "I actually record all moments, including when excited. However, the end surprised me also, how many turns murky, "he said.
Bitter
Self-portrait series is finally bringing us to the fragment-fragment Pupuk journey of life that is quite bitter, especially in the small. Man who was born in Yogyakarta, 16 June 1964, it grew by a simple family with the father working in the service. When graduated high school, both her parents divorced.
Bitter reality that print as a closed and private fancies happy alone. When trying to study in Indonesia Arts Institute (ISI) in 1987, had a doctor diagnose a middle Pupuk neurotik interference, such attitudes terkungkung bitter experience of life. When studying Lukis Art Department at ISI, he found a channel katarsis up through the bitter experience of painting.
"Painting a therapy, deliverance. Each bear the weight issue, I SALURKAN through symbols face, "he said.
Curator Mikke Susanto rate, self-portrait series reveal the Fertilizer Fertilizer morose life. Interesting because it presents the paintings of theater that multitafsir face.
Fertilizer use to actually start self-portraits since 1995 and was displayed in the exhibition, the first single, "Perziarahan to the anima," the Bentara Budaya Yogyakarta. However, a special exhibition for painting a new series of self portraits done now, with the expressionist visual style.
Exhibition "The Theater of the Face" shows a willingness to get out of Pupuk comfort zone (safe zone) to its. During this time he was better known as the landscape paintings of the old building or just spoiled the market, especially in the early 2000's. Tunggalnya exhibition, "Reflection Travel Kekaryaan Pupuk DP", the National Gallery in Jakarta in 2005, participated in strengthening the image of that.
Portrait
Tradition of self-portrait painting (self portrait) have long been many painters of the world's mid-century, modern, up to now. Many of this type of painting became very popular, such as, say painting self portrait Rembrandt van Rijn and Vincent Van Gogh Dutch origin or the self-portrait Affandi in the country.
Actually what is interesting from the self-portrait painting? Each self-portrait is authentic documentation on the painter himself a certain moment. Rembrandt self-portrait, for example, glorify himself in the face of aura light game. Van Gogh self-portrait emosinya time record ears cropped. Affandi paintings themselves often perpetuate emosinya time cangklong with cigarette smoke or sun burned.
According to observers art Merwan Yusuf, more than documentation, self-portrait painting so important as when the manifesto into a break in mainstream art. Rembrant self portrait painting as it reflects the important resistance hegemony over individual portraits of the palace, while Van Gogh and Affandi mengumbar face expressive of the aesthetic mainstream smash smooth and diindah-indahkan.
Is there a possibility the papers Pupuk DP will lead to a kind of manifesto, or even enter the market in the vortex of another? We wait http://cetak.kompas.com.
trishstratus khoiri
Painter Daru Purnomo Fertilizer (44) menyodorkan the other side of pergulatannya in the art. Berkutat no longer with the paintings of the city or the old building, now he presents his portrait series. What is interesting from his works?
Works of self-portrait Pupuk DP shown in exhibits single "The Theater of the Face" at The Art Space, Jakarta, 20-26 September. Performance with the curator Mikke Susanto memajang the 12 paintings and five sculptures. According to the plan, all this work will be on display for diboyong again in the Museum National University of Singapore, May 2009.
The impression that when the caught the first time witnessed the self-portrait series is? Morose. Yes, although displaying various facial expressions in different moments, almost all the paintings that imply murky atmosphere, dark, melankolis, or the emotional depression.
View only painting "Self Portrait in the Pressure Down." Faces that appear on the face is a canvas blind, dominated the dull brown color. Nose, mouth, and eyes like memiuh unclear. Ekspresinya cold.
"Hard Head Self Portrait" is a closed private show. There appear seraut-face black helmet legam the dibebat war that hard. Figures such as the middle of fighting their own emotions while tranquillize did not want to take care with the surroundings.
Similarly, the paper "Self Portrait misguided fear." Lineament in the paintings have this expression of confusion, doubt, confusion. Black and purple with a disapukan thicken the rough in the sense of worry that mimic.
Character similar feel in many other paintings, such as "Self Portrait undecided," "The General", "Self Portrait bagai Actor", and "be saved by Bell." With different dosage and form, the papers also explain this depression.
What is prominent in a series of melancholy self-portrait Fertilizer? "I actually record all moments, including when excited. However, the end surprised me also, how many turns murky, "he said.
Bitter
Self-portrait series is finally bringing us to the fragment-fragment Pupuk journey of life that is quite bitter, especially in the small. Man who was born in Yogyakarta, 16 June 1964, it grew by a simple family with the father working in the service. When graduated high school, both her parents divorced.
Bitter reality that print as a closed and private fancies happy alone. When trying to study in Indonesia Arts Institute (ISI) in 1987, had a doctor diagnose a middle Pupuk neurotik interference, such attitudes terkungkung bitter experience of life. When studying Lukis Art Department at ISI, he found a channel katarsis up through the bitter experience of painting.
"Painting a therapy, deliverance. Each bear the weight issue, I SALURKAN through symbols face, "he said.
Curator Mikke Susanto rate, self-portrait series reveal the Fertilizer Fertilizer morose life. Interesting because it presents the paintings of theater that multitafsir face.
Fertilizer use to actually start self-portraits since 1995 and was displayed in the exhibition, the first single, "Perziarahan to the anima," the Bentara Budaya Yogyakarta. However, a special exhibition for painting a new series of self portraits done now, with the expressionist visual style.
Exhibition "The Theater of the Face" shows a willingness to get out of Pupuk comfort zone (safe zone) to its. During this time he was better known as the landscape paintings of the old building or just spoiled the market, especially in the early 2000's. Tunggalnya exhibition, "Reflection Travel Kekaryaan Pupuk DP", the National Gallery in Jakarta in 2005, participated in strengthening the image of that.
Portrait
Tradition of self-portrait painting (self portrait) have long been many painters of the world's mid-century, modern, up to now. Many of this type of painting became very popular, such as, say painting self portrait Rembrandt van Rijn and Vincent Van Gogh Dutch origin or the self-portrait Affandi in the country.
Actually what is interesting from the self-portrait painting? Each self-portrait is authentic documentation on the painter himself a certain moment. Rembrandt self-portrait, for example, glorify himself in the face of aura light game. Van Gogh self-portrait emosinya time record ears cropped. Affandi paintings themselves often perpetuate emosinya time cangklong with cigarette smoke or sun burned.
According to observers art Merwan Yusuf, more than documentation, self-portrait painting so important as when the manifesto into a break in mainstream art. Rembrant self portrait painting as it reflects the important resistance hegemony over individual portraits of the palace, while Van Gogh and Affandi mengumbar face expressive of the aesthetic mainstream smash smooth and diindah-indahkan.
Is there a possibility the papers Pupuk DP will lead to a kind of manifesto, or even enter the market in the vortex of another? We wait http://cetak.kompas.com.
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